"I sat mesmerized by the production
of Lake Nora Arms, for this was not a play or a musical or a
musical play -- though it contained elements of both -- it was
an impression.
"Developed in conjunction with
Nightswimming, a stroke of genius was adding music to the mix,
but not in any traditional way. While some of the poems have
been beautifully turned into melody and harmony by composer
Jane Miller, instrumental accompaniment would be intrusive to
the dreamlike imagery of the production, so all of the songs
are a capella, including canonical in form and in four
part harmony.
"The demands on the five actors
are therefore increased ten-fold, for each must be a superb
orator for the spoken word, possess an extremely accurate and
well-developed singing voice, and be able to sing both solo
and in parts with absolutely no backing support whatsoever.
"This cast really is superb. All five have amazing
voices and somehow have identified with this dreamscape as though
born to it. You find yourself being absorbed, swallowed up in
the reminiscing, drifting with clouds and floating on the lake,
taken away from your own realities and entering into the fantasy
of fog on the lake... but it all ends too soon.
"As the character of the Older Woman says, 'I
want to feel and turn a corner and turning a corner, see it
all living again.' "
"And for a brief moment, it was."
- Kitchener-Waterloo Record