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TORONTO FILM SOCIETY
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TORONTO FILM SOCIETY 26th ANNUAL
RAIDING THE VAULTS AT
EASTMAN HOUSE 2008
FOR THE SPECIAL PRICE OF $120.00
(Each year TFS makes a significant
donation to GEH for film preservation)
Sunday August 3rd
and Monday August 4th, 2008
ALL SILENT FILMS WITH PIANO
ACCOMPANIMENT BY DR. PHILIP CARLI
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Hotels Film Lineup Registration Form
Our
26th Consecutive Year !
Toronto
Film Society is organizing a visit to
GEORGE EASTMAN HOUSE , THE DRYDEN THEATRE
900 EAST AVENUE, ROCHESTER N.Y.
From the vaults of the
outstanding Eastman House film collection, along with a number of films
recently restored by Eastman House, it’s a chance to view many films not
seen publicly in over half a century. Included in the star list
are Robert Donat, Rosalind Russell, Rex Harrison, Eleanor Boardman,
Ralph Richardson, Joan Crawford, Peter Lorre, Greer Garson, John
Barrymore, Helen Hayes and Clark Gable. Directors include Josef
von Sternberg, Frank Borzage, Jean Negulesco and King Vidor.
With special thanks
to Jared Case, Caroline Yeager and Jim Healy.
Individuals
must arrange their own transportation, accommodation and meals.
WE HAVE ARRANGED SPECIAL RATES FOR A LIMITED NUMBER OF ROOMS
AT TWO HOTELS
Hotel information
SCREENING BEGINS SUNDAY,
AUGUST 3RD AT 9:00 A.M.
AT THE GEORGE EASTMAN HOUSE
THE DRYDEN THEATRE,
900 EAST AVENUE, ROCHESTER N.Y.
EASTMAN HOUSE 2008 FILM LINEUP
All films are 35mm.
Program subject to change without notice
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THE COSSACK WHIP (1916)
Director: John Collins
Viola Dana, Robert Walker, Grace Williams
Collins directs his wife in this intense pre-Revolutionary Russia
spy thriller with equal parts exotica and erotica. Beautiful
art direction. |
THE CIRCLE (1925)
Director: Frank Borzage
Eleanor Boardman, Alex B. Francis, Joan
Crawford
Actors feast on a multi-layer cake of love triangles in W. Somerset
Maugham's classic drawing room drama. |
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MADCAP MADGE (1917)
Director: Raymond B. West
Olive Thomas, Charles Gunn, Dorcas Mathews
Betty's practical jokes and monkeyshines jeopardize her respectable
family's future fortunes so they pack her off to boarding
school--but where there's a will, there's a way back.
Hilarious. A rare look at a radiant star shortly before her
young, tragic death. |
THE CITADEL (1938)
Director: King Vidor
Robert Donat, Rosalind Russell, Ralph
Richardson, Rex Harrison
A young, idealistic doctor is destroyed by coalmine owners when he
tries to help sick workers. He retreats to London where he is
turned into a gold-digging society doctor. Donat is supported
by a galaxy of superior British acting talent in this top MGM
production. |
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MADAME X (1920)
Director: Frank Lloyd
Pauline Frederick, William Courtleigh, Casson
Ferguson
A mysterious lady, separated from her son for 20 years, must rely on
him to defend her on murder charges. Not the first, or last, version
of this perennial soaper, but Frederick makes it the best. |
THE WHITE SISTER (1933)
Director: Victor Fleming (uncredited)
Helen Hayes, Clark Gable, Lewis Stone
Gable's animal magnetism and Hayes' aristocratic elegance can't
compete with fate in this ill-fated love story, photographed by ace,
William Daniels. Remake of the silent classic. |
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SHERLOCK HOLMES (1922)
Director: Albert Parker
John Barrymore, Roland Young, Carol Dempster
Barrymore in his prime (he played Hamlet on stage that year)
is the great detective. Filmed in London and endorsed by Sir
Arthur Conan Doyle, this treat was restored a few years ago by
Eastman House from a print found in their vaults. |
THE
LADY OF SCANDAL (1930)
Director: Sidney Franklin
Ruth Chatterton, Ralph Forbes, Basil Rathbone
In this witty comedy, stage star Chatterton finds herself
surprisingly engaged to a dull-as-dishwater upper-cruster. His
family disapproves of her (of course) but her family
disapproves of him (but what about all that
money?)
Who will win? |
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CRIME
AND PUNISHMENT (1935)
Director: Josef von Sternberg
Peter Lorre, Edward Arnold, Marian Marsh
Lorre is the screen's most menacing Raskolnikov in this dark, gritty
(and much shorter) version of the novel. Wonderful Sternberg
touches throughout. Marsh is spectacular. Lorre's U.S.
debut. |
STRANGER ON THE THIRD FLOOR (1940) Director: Boris
Ingster Peter Lorre, Elisha Cook Jr., John
McGuire A newsman is haunted by strange memories after
giving key evidence in a murder trial. This taut, weird,
psycho-thriller is regarded as the first American film noir. A
must see! |
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SCANDAL
AT SCOURIE (1953) COLOUR PRINT
Director: Jean Negulesco Greer Garson,
Walter Pidgeon, Agnes Moorehead A wonderful "well-bred"
film of the problems faced by a straitlaced, middle-aged
Irish-Protestant minister and his wife (and they're Canadian too!)
when they take in a little Roman-Catholic girl to the town's
disapproval. Last pairing of Pidgeon and Garson. |
SELECTED SHORTS
INCLUDING
1938 PARAMOUNT
NEWSREEL
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Programme Subject to Change without
Notice
Accommodation,
Transportation and Food are to be arranged individually.
We have special rates for
a limited number of rooms at two Rochester hotels
(both close to Eastman House).
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East Avenue Inn
384 East Avenue
(585) 325-5010
1-800-559-8039
This renovated hotel is within a few blocks of Eastman House.
Our special rate is
Single/King $59.
Double/two fill-sized beds $69. Rates are in place only
until July 18, 2008. |
Hyatt Regency
125 East Main Street
1-800-233-1234
This elegant hotel is 2.3 km/1 1/2 miles west of Eastman
House.
Standard Guest Rooms, one
King or two Double beds $109.
Parking $3.00 per day with in-and-out privileges.
Breakfast Options:
Buffet $15.95/
Continental $11.95.
Rates are in place only until July 11, 2008. |
Plus 14.25% local tax at both hotels. All rates in U.S. funds.
Rates are for Saturday and Sunday nights with a few rooms for
Friday and Monday nights.
(REMEMBER TO MENTION TORONTO FILM SOCIETY)
Registration
Form for the Eastman Visit
Direct any inquiries to:
Caren Feldman 416-636-6767 or leave a message 416-363-7222
or Email: caren@rogers.com
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