BATTLE FROM A DISTANCE

 

Peter Breiner: Battle from a distance, symphonic poem for large orchestra (2004)

Slovak Symphony Orchestra, Peter Breiner conducting

                                                                            

streaming audio, CD quality*

 

 

I was surprised and overwhelmed by the reaction to my arrangement of The Star Spangled Banner that was played at this year’s summer Olympics in Athens. It was quite heartwarming to read all the comments. It was also somewhat of a surprise to find out that people were able to read “between the lines” of that arrangement.

 

This made me think about the power of music. I was watching the scuffle between the blues and the reds about the meaning of my arrangement – whether it is “intentionally subdued to soften the picture of America as a world’s bully” or simply “new and creative“.

 

Then I read what a descendant of Francis Scott Key’ said:

“ … considering the words, when the anthem, this particular version, comes to the most violent lines of text," And the rockets red glare, the bombs bursting in air...”, this particular arrangement has the strings playing this high melody very softly....a most feminine and ethereal quality. The first reaction I had was that it was incorrect as an interpretation of the text. But then, going with the feeling which the strings evoke, it is as if we are beholding the bombing across the harbor...at a distance...and through a haze of smoke.  I find this contrast, between the bombardment and the image created in sound, to be quite wonderful and unique.”

 

and the words of Kile Smith, Curator of Fleisher Collection of Orchestral Music in Philadelphia:

 

“Peter Breiner has done what all good arrangers do, in that he has fashioned music to force the words upon us in a new way. The hitch that caught my  breath the first time I heard this, when I thought about the violent words under those almost-teetering strings...well, I should say that those strings made me think about the words again, which is what good arranging will do. This piece makes you stop, and it whispers in your ear, ‘Attention must be paid.’”

 

 

 

I also realized that there was a reason why, out of 400 anthems, the Star Spangled Banner was the first one that I chose to arrange. I have been fascinated by America since a very young age. Not its politics, but the spirit of the country and its achievements has been always inspiring to me.  It does not matter who the president is, nobody could obliterate George Gershwin, Leonard Bernstein or Art Tatum, all great people in all walks of life and all cherished friends I have there.

 

I am not happy to see, hear and read the world judging contemporary America, suddenly as if nothing was good there. Could we forget politics for a while and think about all good, beautiful and meaningful things that originate in this nation? The US bashing has become very monotonous. I am not happy to see all the battles fought by and in America as well as I am unhappy to see great many of my friends being involved in those battles one way or the other.

 

One morning, I woke up with a piece of music in my head. It was about those battles that I had been watching from a distance, in a similar way as Francis Scott Key may have watched in Baltimore. It is a story of people struggling for principles, values and beliefs, against all odds, against all politics, against all differences.  In part, it could have been inspired by the discussion about the Olympic arrangement of the American anthem. It is in fact a sort of inverse variations on The Star Spangled Banner (or a revival of an old musical form – Battaglia). One might call it a battle of anthems - from a distance. Listen.

 

P.S. Taking into consideration the reactions to my Olympic arrangement of US anthem and the following debate, I decided to arrange yet another version. This is to keep everyone (blue, red, white or green) happy. PB

 

ANTHEMS - AUDIO FILES

 

US National Anthem *(Olympic version, 1994)

US National Anthem * (version 2005)

 

Anthems arranged & conducted by Peter Breiner

 

 

 

*Requirements for audio:

PC user:
MS Windows 98SE, 2000, XP with MS IE 6.0 / Mozilla 1.7.1 / FireFox 1PR / Netscape 7.1 and Media Player 9.0
(MS IE setting: Privacy = Medium, cookies allowed, Pop-up Blocker = Off;
Sound setting = No Sound)
 
Mac user:
OS 8.6 / 9.0 with MS IE 5.1 and Media Player 7.1
or OS X 10.2.8 with MS IE 5.2 / Mozilla 1.7 / Netscape 7.1 / Safari 1.0 and Media Player 9.0
(MS IE setting: Security Zone = Medium, cookies allowed;
Sound setting: Sound Effect = No)

 

 

 

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